Bicep have dropped a new digital EP titled Rain this week on Ninja Tune. Get it here. Bicep’s Rain EP comes backed by a new video for Rain – or, “video mulch”, in the words of director Luke Wyatt, AKA Torn Hawk. A producer, DJ and NTS host, his video uses old film footage, edited together and overlaid… Read more »
Directed by Emma Westernberg. Janelle Monáe releases her new album Dirty Computer on April 27 via Atlantic/Bad Boy. Pre-order it here.
Ólafur Arnalds‘ beautiful new track re:member is out now via Mercury KX.
Irish producer J Colleran, formerly known as MMOTHS, has announced his forthcoming album Gardenia is scheduled to be released on June 29 via Because Music. Following the previously shared O + SOH, J Colleran has unveiled the Christopher Gray-directed accompanying visuals for latest track bERA. The video was inspired by the photography series by Anton… Read more »
Melody’s Echo Chamber, aka Melody Prochet, will release her long-awaited sophomore album Bon Voyage on June 15 via Domino Records in UK/Ireland/Europe. Made up of seven expansive tracks, Bon Voyage marries Melody’s breathless soprano to the wildest sonic excursions, always pinned to an emphatic, clattering groove as she delivers her fables of spiritual search and… Read more »
Directed by Colin Medley. The Weather Station’s new self-titled album is out now on Paradise of Bachelors.
Directed by Emily Cross. Loma’s self-titled debut album is out now on Sub Pop Records.
Ahead of the April 6 release of his new studio album, Song For Alpha, Daniel Avery has shared the dazzling new video for Projector. Avery’s latest visual offering was created by London-based design house Flat-e, the same collective behind the previously released video for Slow Fade. Explaining the creation of the Projector visual, Flat-e explains… Read more »
Directed by Ruff Mercy. Preoccupations will release their new album New Material on March 23 via Jagjaguwar.
Ryan Lee West, aka Rival Consoles, releases his new album Persona on April 13 via Erased Tapes. The title Persona was inspired by Ingmar Bergman’s film of the same name, specifically a shot in the opening credits of a child reaching out to touch a woman’s face on a screen, which is shifting between one face and another. This powerful… Read more »